The rhythmic pulse of music and the determined sound of dance shoes hitting the floor have taken over a downtown Toronto rehearsal space this week as the all-Canadian cast of “& Juliet” begins preparations for their upcoming production.
Walking into the studio on King Street East, I’m immediately struck by the energy radiating from the ensemble. Twenty performers move in unison, their faces reflecting both concentration and joy as they work through what appears to be one of the show’s high-energy numbers.
“We’ve assembled some of the finest talent from across Canada,” says director Luke Sheppard during a brief break in rehearsals. “The level of commitment and skill in this room is extraordinary, even in these early days.”
“& Juliet” reimagines Shakespeare’s classic by asking what might have happened if Juliet hadn’t ended her life over Romeo. The contemporary musical is powered by the pop anthems of Grammy-winning songwriter Max Martin, creating a unique blend of classical storytelling and modern music.
Toronto native Kayla James, who plays the lead role, shares her excitement between water breaks. “This show gives Juliet agency she never had in the original text. She gets to choose her own adventure rather than dying for a boy she just met,” James explains with a laugh.
The production marks a significant investment in Canadian theatrical talent. Producer David Mirvish tells me this deliberate choice reflects both the quality of performers in Canada and a commitment to supporting the local arts community following challenging pandemic years.
“Canadian audiences deserve to see Canadian talent shine in world-class productions,” Mirvish notes. “Toronto’s theater scene has always been exceptional, but this cast truly represents the depth of our national performing arts landscape.”
According to data from the Toronto Arts Foundation, theatrical productions generate approximately $1.2 billion annually for the local economy. Each major production employs dozens of performers and even more behind-the-scenes professionals.
Choreographer Jennifer Weber, visiting from New York, praises the cast’s versatility. “These performers need to sing powerfully while executing complex choreography. The Canadian talent pool is delivering on both fronts in ways that genuinely impress me.”
During my three-hour observation, I witness the painstaking work of breaking down movement sequences. A seemingly simple 30-second dance routine takes over an hour to perfect, with Weber and her assistants providing individual guidance to each performer.
The musical has already enjoyed successful runs on Broadway and in London’s West End. This Canadian production features several modifications to incorporate distinctly local references and sensibilities.
“We’re not just recreating what worked elsewhere,” explains musical director Callum McDougall. “We’re finding the Canadian heartbeat of this story while remaining true to its core themes of self-discovery and empowerment.”
Cast member Devon Mitchell, who relocated from Vancouver for the production, describes the significance of being part of an all-Canadian company. “Often in our industry, there’s pressure to leave Canada to pursue opportunities. Having a world-class production commit to Canadian talent sends a powerful message about valuing our artistic community.”
Costumes hang on rolling racks along the studio walls, with the wardrobe department making real-time adjustments during rehearsals. The contemporary styling mixed with period elements offers visual cues to the show’s modern take on a classic story.
Technical director Samantha Poon explains the challenges of the production’s complex staging. “The show moves between time periods and emotional states rapidly. Our team is working to ensure these transitions feel seamless while supporting the narrative’s emotional journey.”
The financial commitment to mounting such a production in Toronto is substantial. According to the Toronto Alliance for the Performing Arts, major musical productions typically require investments between $8-12 million before opening night.
As rehearsals continue through early summer, anticipation builds for previews beginning in August at the Princess of Wales Theatre. Ticket presales already suggest strong audience interest.
“Toronto audiences are sophisticated and discerning,” observes veteran cast member Richard Chen. “They know quality when they see it, which pushes us to deliver excellence every night.”
For now, excellence is being built one rehearsal at a time in this bright studio space, where Canadian voices bring new life to one of literature’s most famous characters, proving that perhaps Juliet’s story didn’t need to end in tragedy after all.
